There's an interesting comparison to be made with Michael Cimino's "Heaven's Gate," another elegiac treatment of Wyoming's range wars. (If you've been avoiding "Heaven's Gate" all these years because of the critical drubbing it took over the issue of Cimino's profligate spending, do yourself a favor and check it out--it's a textbook example of contemporary critical consensus getting it dead fucking wrong.)
Tuesday, January 26, 2010
Tom Horn
There's an interesting comparison to be made with Michael Cimino's "Heaven's Gate," another elegiac treatment of Wyoming's range wars. (If you've been avoiding "Heaven's Gate" all these years because of the critical drubbing it took over the issue of Cimino's profligate spending, do yourself a favor and check it out--it's a textbook example of contemporary critical consensus getting it dead fucking wrong.)
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There was a made-for-tv version of Tom Horn that came out around the same time with, I believe, David Carradine in the title role---that largely, if I recall, made little or no sense. Never saw the McQueen version, though I love Steve McQueen's work.
ReplyDeleteMark
Wow. McGuane was attached to THAT script? Love that guy. Always considered his novel "92 in the Shade" as one of the best existential-comic noir books.
ReplyDeleteI agree. I watched this McQueen film recently and thought it held up quite well.
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